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| The poster is pretty kick-ass too. |
Edgar Wright is one of those directors that film critics & aficionados hold in high esteem, but that the American public hasn't fully caught onto. Of his four previous films released in the U.S. none scored lower than 81% on Rotten Tomatoes or 69 on Metacritic, yet none of them made more than $32 million or finished in the top 90 in yearly domestic box office. Whether it's because of the overt Britishness (& R ratings) of his Cornetto Trilogy, or the consistent lack of star power* in his films, Wright's been unable to break through with mass audiences the way he has in the industry. Ant-Man was meant to provide that opportunity, but creative differences led to his leaving that film. Perhaps that was for the best, Baby Driver is more distinctively Wright than any Marvel film could ever be, & if things go well it will have exceeded the domestic box office office of any of his previous works by the end of the weekend.
*With Brie Larson, Chris Evans, Anna Kendrick, Aubrey Plaza, Mary Elizabeth Winstead, & others, "Scott Pilgrim" has a lot of retroactive star power but at the time only Evans might've been a bigger draw than Michael Cera, crazy as that sounds.
And, by God, it should. Ansel Elgort, Lily James, Jamie Foxx, & Kevin Spacey, have all had major roles in $100 million hits, with the latter two having three Oscars to their names, & between his Emmy win & overwhelming handsomeness Jon Hamm's no slouch either. It's easily Wright's most high profile cast. Sony has ensured the film has had plenty of publicity & it's received the best reviews of Wright's career. More to the point, it's a ton of fun.
